Aa
  • Read, Watch, Listen
  • TJI Series
  • Community Action
  • Events
  • Zedi
Follow us and continue the conversation
  • LinkedIn
  • Instagram
  • FaceBook
  • X
  • YouTube
Test yourself with the TJI Quiz!

Adjust size of text

Aa

Follow us and continue the conversation

  • LinkedIn
  • Instagram
  • FaceBook
  • X
  • YouTube

Your saved articles

You haven't saved any articles

What are you looking for?

Original reporting, insightful analysis and diverse views, delivered straight to your inbox

  • LinkedIn
  • Instagram
  • FaceBook
  • X
  • YouTube
Your support fuels our mission to inform, entertain and inspire.

The Jewish Independent is bound by the Standards of Practice of the Australian Press Council. If you believe the Standards may have been breached, you may approach The Jewish Independent or make a complaint to the Australian Press Council in writing at www.presscouncil.org.au. The Council may also be contacted on 1800 025 712.

  • Our Story
  • Contact us
  • Our Team
  • Support us
  • Guidelines
  • Pitch your idea
  • Republishing us
  • Community Action
  • Our Awards
  • LinkedIn
  • Instagram
  • FaceBook
  • X
  • YouTube
Aboriginal FlagTorres Strait Islanders Flag

The Jewish Independent acknowledges Aboriginal and Torres Strait Islander peoples as the Traditional Owners and Custodians of Country throughout Australia. We pay our respects to Elders past and present, and strive to honour their rich history of storytelling in our work and mission.

© The Jewish Independent 2026All Rights Reserved
Website design and development by Your Creative, MelbourneTerms & ConditionsPrivacy Policy
HomeRead, Watch, ListenAustralia
Australia

Board of Deputies criticised over delay in correcting Yad Vashem exhibit error

Michael Visontay
Print this

Published: 25 May 2020

Last updated: 4 March 2024

JBOD took three months to admit mistake over Chinese visa in NSW exhibition honouring WW2 diplomats who helped save Jews; CEO says time was needed to check with Yad Vashem

THE NSW JEWISH BOARD of Deputies has been criticised over a delay in acknowledging that Yad Vashem provided an incorrect exhibit for an exhibition that the Board hosted at NSW Parliament House during the month of February.

The exhibition, titled Beyond Duty, identified 34 diplomats who have been declared “Righteous Among The Nations” for their efforts to help Jews avoid persecution and death during World War 2. It contained panels based on materials and research provided by Yad Vashem.

At the exhibition opening on February 3, a member of the public, Emeritus Professor Andrew Jakubowicz, alerted the Board of Deputies (JBOD) to an error relating to an image on one of the panels about the Consul for the Republic of China in Vienna, and asked for it to be corrected. JBOD’s statement was issued on May 15.
The fact that the exhibition proceeded with no alert to attendees raises questions about whether truth or ‘soft diplomacy’ was the higher value selected for foregrounding - Professor Andrew Jakubowicz 

Professor Jakubowicz was adviser to the Sydney Jewish Museum exhibition on Shanghai and the Jews of China in 2001, and has written extensively about the Polish Jewish refugee community in Shanghai. In response to the statement by JBOD, he told The Jewish Independent he had mixed feelings. “I am glad that the JBOD has finally published a clarification ... even though this has happened months after the exhibition closed.

Professor Jakubowicz said the delay in issuing a correction sent an undesirable message to the public. “The fact that the exhibition proceeded with no alert to attendees raises questions about whether truth or ‘soft diplomacy’ was the higher value selected for foregrounding.”
The delay nothing to do with soft diplomacy; there was no way we could issue a correction without first doing due diligence and checking with both Yad Vashem and the Embassy of Israel [a co-sponsor of the exhibition], which we promptly did - JBOD head Vic Alhadeff

NSW Jewish Board of Deputies CEO Vic Alhadeff responded: “The issue is less conspiratorial than my friend, Professor Jakubowicz, might have one believe. There was no way we could issue a correction without first doing due diligence and checking with both Yad Vashem and the Embassy of Israel [a co-sponsor of the exhibition], which we promptly did.

“It can take time for questions of historical accuracy to be resolved, and as soon as we received a clarifying statement from scholars at Yad Vashem, we posted it on our website and Facebook and circulated it on our fortnightly bulletin to our entire database.

“The delay in doing so had nothing to do with soft diplomacy and everything to do with verifying that the professor was correct in his claim that one of the images on one of the posters was incorrect.”

Professor Jakubowicz received an email from Yad Vashem on March 12, acknowledging the error and apologising for it, and for the delay in responding to his complaint. "I can assure you that the placement of that image was the result of an honest completely unintentional human error which occurred during the production of the exhibition several years ago," wrote Dr Joel Zisenwine, the director of the Righteous Among the Nations Department at Yad Vashem.

"There were no ideological or political considerations involved in this process, or that influenced it in any way. Of course we regret this error and are working presently to correct it. I apologise as well for the delay in updating you regarding the substance of our examination."

The error related to a panel about Ho Feng Shan, Consul for the Republic of China in Vienna, who provided visas to mainly Austrian Jews so that they could obtain exit permits from the Nazis. One of the three images in the panel “purports to be a copy of a Ho visa, for transit through Shanghai, for a refugee from Vienna named Feldman,” according to Professor Jakubowicz.

“But the visa on display was not issued by Ho, was not for Shanghai, was not issued in Vienna, and was not provided on behalf of the Government of China. It was provided by Wang Ti Fu, an official of the Japanese puppet Manchukuo government, in Berlin, for transit through Manchukuo entering at Manchouli on its western border with the USSR.”

[gallery columns="1" size="large" ids="35693"]

In a “Clarification” notice posted on May 15, the Board of Deputies said: “Yad Vashem has acknowledged the inaccuracy and expressed its regret. [It] acknowledges that the visa displayed in the panel was placed there in error. It was issued for a Jewish refugee, on behalf of the Manchuko [sic] regime, by a diplomat who has not been recognised as Righteous Among The Nations.

“We have been informed by Yad Vashem that the panel in question will henceforth include a photograph of an authenticated visa issued by Ho.”

[gallery columns="1" size="large" ids="35694"]

Professor Jakubowicz told The Jewish Independent the statement should have included more background. The wording is “circumspect and may not help the average reader to work out what happened, or about whom the mistake was made,” he said.

He added that it should have been titled “Correction and Apology”, rather than “Clarification”.

Main photo: The incorrect visa presented in the exhibition, Beyond Duty; all photos courtesy of Andrew Jakubowitz
You might also like
  • Antisemitism surges in China, fuelled by new hostility to Israel
    Shahar Burla
  • China’s careful calculus on the volatile US-Iran nuclear standoff
    Dror Doron
  • Why Herzog’s visit is a bad idea for Australian Jews
    Nomi Kaltmann
logomark.67a07ee3
We believe in the free flow of information

Republish our articles for free, online or in print, by using our Creative Commons licence

You might also like

    Jewish cemetery
    NewsAustralia

    Melbourne Chevra Kadisha implicitly recognises LGBTQ+ families

    Jarod Rhine-Davis 1
    jiff26-cancelled.jpg
    ReflectionArts & Culture

    On despair: A reflection after watching ‘Cancelled’

    Deborah Stone 2
    syd uni globalise the intifada
    NewsAustralia

    Sydney Uni commissions independent review after ‘Globalise the Intifada’ campaign

    Deborah Stone

About the author

Michael Visontay

More from the author

NewsAustralia

Matt Chun’s hate speech prompts change in arts funding policy

AnalysisAustralia

Mishandled antisemitism education is not just ineffective, it’s dangerous

FeatureLifestyle

Where Shtisel meets The Jetsons

ReviewIsrael

Beinart’s utopian vision ignores awkward truths