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HomeRead, Watch, ListenAustralia
Photo EssayAustralia

From mourning to memory: preserving the Bondi massacre tributes

Gathering the faded tributes after the seven-day mourning period, was the beginning of determining how history will understand the attack.
Shannon Biederman & Rebecca Kummerfeld
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Bondi memorial memory (1)

Workers wrap flowers from the Bondi temporary memorial, to be dried and made into a tribute to the victims (Anastasia Glushko)

Published: 8 January 2026

Last updated: 8 January 2026

We gathered before daybreak among dying candles and the smell of flowers in various states of decay. Our task was to turn mourning into memory.

It was the eighth day after the Bondi Chanukah attack, the end of the seven days of deep mourning, and we were there to gather up the many tributes of the improvised Bondi memorial.

Among us were museum professionals and amateur historians, council workers, partners and friends. The Sydney Jewish Museum and Australian Jewish Historical Society led a team facing a deeply emotional but also technically demanding task: to preserve history as it happened.

Workers begin the task of gathering objects from the Bondi Memorial for cataloguing and preservation (Anastasia Glushko)
Workers begin the task of gathering objects from the Bondi Memorial for cataloguing and preservation (Anastasia Glushko)

How do we start collecting memory when the grief is still so raw? How can we begin to imagine the story we will tell in the future while so many of us are still grappling with heartbreak and rage? How do we think as historians when this chapter of our history is still unfolding. 

Workers wrap flowers from the Bondi temporary memorial, to be dried and made into a tribute to the victims (Anastasia Glushko)
Workers wrap flowers from the Bondi temporary memorial, to be dried and made into a tribute to the victims (Anastasia Glushko)

The work of a memory institution is to sit in multiple time zones at once. We study the past to make it relevant in the present. And we collect in the present, imagining the way we will tell the story in the future. 

We knew that clearing the space of these physical expressions of love and care would be difficult. But the comfort of knowing it would be preserved gave us strength to continue, and the inspiring messages of gratitude from the community gave us confidence.

Stones with message from the Bondi temporary memorial (Anastasia Glushko)
Stones with message from the Bondi temporary memorial (Anastasia Glushko)

The work of dismantling an improvised memorial is surprisingly practical and efficient.

Cards were stacked on the tables to be sorted by an archivist from the Australian Jewish Historical Society.  Material tributes - teddies, stones, textiles and any other three-dimensional objects – went to the tables with the registrar from the Sydney Jewish Museum. Flowers, stripped of packaging, were placed on black plastic sheets, to be bundled and packed for artist Nina Sanadze to craft into an installation. 

Toys, candles, flags, and stones gathered from the Bondi temporary memorial for cataloguing and preservation (Anastasia Glushko)
Toys, candles, flags, and stones gathered from the Bondi temporary memorial for cataloguing and preservation (Anastasia Glushko)

As we set to work, rain poured down. It felt like the world was acknowledging the pain of our task. We worked methodically, grief moving from our minds into our bodies. We unpinned cards, cradling fragile wet paper and cherishing the heartfelt messages. We rescued soggy teddies, carefully painted stones, lovingly crafted sculptures. We gathered up a pair of Matilda’s shoes left by her family. Masses of flowers filled the 10-tonne truck to the brim. Wrapped in black plastic, they resembled body bags. 

Wrapped flowers from the Bondi temporary memorial ressemble a body bag (Anastasia Glushko)
Wrapped flowers from the Bondi temporary memorial ressemble a body bag (Anastasia Glushko)

The scale of love expressed in these objects gave us solace, but it also made preservation a challenge. Museum staff will now begin the work of cleaning and documenting this vast collection. 

Preserving the Bondi memorial ensures there is tangible evidence of the massacre and the community response. When the curators of the museum begin the difficult task of telling this story, these objects will testify that the Jewish community was not alone. Thousands of other Australians came to grieve and support us in our tragedy. For many generations to come, we will remember.

Thousands of flowers were gathered for preservation from the Bondi Memorial (Anastasia Glushko)
Thousands of flowers were gathered for preservation from the Bondi Memorial (Anastasia Glushko)

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About the author

Shannon Biederman & Rebecca Kummerfeld

Shannon Biederman is the Senior Curator at the Sydney Jewish Museum with over 20 years of experience, specializing in Holocaust history, Australian Jewish history, and digital testimony projects. Dr Rebecca Kummerfeld is Learning Manager at Museums of History NSW and holds an adjunct position at Deakin University. She has been leading learning teams in museums since 2015, including at the Sydney Jewish Museum.