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Sounds for a sky we all share

Custodians of the Sky celebrates how different cultures interpret the cosmos, using music, poetry, and soundscapes from Australian stargazing sites. Its first Australian performance is coming at Emmanuel Synagogue.
Peter Kohn
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Orchestra in front of image of stars during the original performance of Custodians of the Sky

Orchestra in front of image of stars during the original performance of Custodians of the Sky in Paris (Supplied by Emmanuel Synagogue)

Published: 23 October 2025

Last updated: 29 October 2025

Wherever we sit on the patchwork of identities that comprises Australia, we all live beneath the same starry skies. In troubled times, it can be inspiring to wait for dusk and just gaze upwards.

In that spirit, Sydney’s Emanuel Synagogue is next month staging the first Australian performance of operatic composer Luke Styles’ Custodians Of the Sky.

Combining music, poetry, and soundscapes from Australian stargazing sites, Custodians of the Sky celebrates how different cultures interpret the mysteries of the cosmos and seek meaning under the night sky. Its influences are as diverse as Australian Indigenous cultures, Jewish texts, and ancient Greek mythology.

I think we all look upwards when we think about the divine. There’s that sense of shared humanity through the contemplation of the stars

Composer Luke Styles

Custodians of the Sky will be staged in combination with work by 20th century German-born composer Kurt Weill, offering a poignant Jewish perspective on the themes of night, reflection, and belonging. Weil's work evoked ideas about identity, exile, and social justice drawn from his Jewish heritage.

Together, the two works create a rich artistic dialogue on tradition, identity, and connection under the night sky.

Custodians in the Sky is the first initiative of the Emanuel Synagogue Foundation, Foundation, which chair Grant McCorquodale says will host "world-class cultural works", as well as education and social justice initiatives.

Senior Rabbi Jeffrey Kamins said the work will invite reflection on the creation text:"Let there be lights in the expanse of the sky to separate day from night; they shall serve as signs for the set times—the days and the years; and they shall serve as lights in the expanse of the sky to shine upon the earth."

“Honouring the Jewish tradition of contemplating our place in creation, Custodians of the Sky invites reflection on the land and the stars. This marquee event for our synagogue offers a beautiful artistic interpretation of our cherished Jewish spiritual texts and tradition,” he said.

A distinct antipodian view

Raised in Sydney and now based in London, Luke Styles is a prolific creative force in opera, theatre and instrumental music. The composer shared his excitement about Custodians of the Sky coming to Australia with The Jewish Independent, noting the distinctiveness of the antipodean starscape, not visible from the northern hemisphere.

“I think we all look upwards when we think about the divine. There’s that sense of shared humanity through the contemplation of the stars and the sky. There’s a sense of wonder, and the feeling of us being a small part of something bigger,” said Styles.

Composer Luke Styles
Composer Luke Styles

Custodians of the Sky premiered in Paris in 2023, at the Musee de Quai Branly, Jacques Chirac, commissioned by French ensemble Le Balcon and Australian tenor Michael Smallwood. Smallwood met Styles almost 10 years ago when he was performing his cycle for tenor On Bunyah, based on Les Murray’s poetry about rural Australia.

“I remember thinking how instinctively and beautifully [Styles] composes for the voice," Smallwood told TJI. "At that time I was working with the Parisian ensemble, Le Balcon and decided to bring the two together. The result: Custodians of the Sky.”

The audience’s fascination at the Paris premiere “made me all the more determined to bring the piece home to Australia." said Smallwood. "It is, after all, a story that all Australians can tell every time they look at a cloudless sky at night.”

For the Australian production, Smallwood and conductor Alphonse Cemin are joined by bass-baritone Adrian Tamburini and Sydney-based Ensemble Offspring.

Dark sparklers

Styles drew from a plethora of influences but standouts were his conversations with Australian writer Dr Hugh Cairns, who specialises in Indigenous traditions and the cosmos, and Bill Yidumduma Harney, a senior Aboriginal elder of the Wardaman community west of Katherine in the Northern Territory.

A land-rights pioneer, storyteller and painter, Harney is a custodian of an area famous for the striped figures of the Lightning Brothers, Yagjadbula and Jabarangi, pivotal ancestral beings in Aboriginal Dreaming stories, which feature prominently in Territorian Indigenous rock art.

In 2003, Cairns and Harney co-authored Dark Sparklers, a tribute to the role played by the night skies in Wardaman culture. Styles contacted Cairns – and their dialogue fed much of the creative content of Custodians. Through Cairns, Styles was introduced to Harney, who linked back Cairns’ astronomical research to his Wardaman traditions.

Styles was impressed with how Dark Sparklers blended Western astronomy with Indigenous folklore. “It’s very comprehensive in terms of culture -- and aligning that with science. Western science goes to great lengths to ground a lot of the knowledge that Bill [Harney] brings.”

Styles has crafted Custodians as a set of musical pieces with a common theme. “Hugh and Bill’s book was a unifying force,” he says.

Other sources for Custodians Of The Sky include the poems Stars by David Malouf, Perspective Passes Over Us by Renée Pettitt-Schipp, Moon by A. Frances Johnson, and Skywatchers by Margaret Bradstock. In particular, the edgy and quirky lyric that Styles has created was informed by  Bradstock’s offbeat, humorous poem, The Moon Via Telescope.

Custodians “can sound quite serious,” says Styles, “but there's also a playfulness and fun in my music.”

Imagine nighttime in the bush, he says. The stargazing “starts at dusk ... You hear insects and cicadas and birds. The sounds of the bush are part of Australia for me.”

Custodians Of The Sky and the Kurt Weill performances will take place at Emanuel Synagogue, Woollahra, on November 5 and 6, 7pm. The Jewish Independent is a media partner of the Emanuel event. Tickets here.

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About the author

Peter Kohn

Peter Kohn

Peter Kohn is an Australian journalist who began his career at the Herald & Weekly Times. For 43 years, he was associated with The Australian Jewish News. For the past decade, he held the title of Senior Journalist at the newspaper. He is the author of two novels. Rachel’s Chance is the story of his family’s experiences as Jewish refugees in Shanghai during World War II, and View From A Sandcastle is based on his own story, growing up in Melbourne suburbia during the 1960s and 1970s.

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