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Arts & Culture

Films to chew on, laugh about and digest

Deborah Stone
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Published: 17 October 2019

Last updated: 13 September 2024

IF YOU ARE TIRED OF Holocaust films and depressing dramatisations of the Israeli-Palestinian conflict, prepare to be delighted by the variety of films on offer at this year’s Jewish International Film Festival.  Filmmakers have clearly discovered that there is more to Jewish life than either of these ubiquitous subjects.

This year’s festival is rich in comedy as well as drama, strong on American documentaries and Israeli features, and a particular delight for music-lovers and film buffs who want to revel in the medium.

The choice is overwhelming, so here’s a breakdown:

For something to chew on

If you are looking for a good argument over supper, Israel is always a good place to start. Two offerings address the secular-religious divide in creative ways.  The television series Autonomies sets a high stakes kidnapping attempt in an Israel divided into two autonomous states, one Haredi, the other secular. The Other Story is a feature film which treats the same thematic content in the context of a family drama.  Chained, is a drama confronting machismo and police violence, far from unique to the Israeli society where it is set.

From the Diaspora, a new twist on the Romeo and Juliet theme is Leona, set in Mexico. It’s fodder for the perennial conversation about intermarriage.

Confronting documentaries offer plenty to discuss.  Avenging Evil, tells the story of a secret organisation of Holocaust survivors sworn to revenge.  Advocate (which is sponsored by The Jewish Independent and will feature a Q & A with prominent barrister Robert Richter QC) covers the work of lawyer Lea Tsemel as she defends Palestinian political prisoners in the Israeli judicial system. Family in Transition traces the experience of a couple going through the husband’s transition to living as a woman.

Lea Tsemel early in her career
Lea Tsemel early in her career
Autonomies
Autonomies

You have to laugh

There’s more humour than usual at this year’s festival. Films that slaughter sacred cows and serve the steaks in a sauce of black humour include Tel Aviv on Fire, a satire about a Palestinian scriptwriter and Israeli army officer and Mossad, a spoof which sends up the Israeli intelligence service. Stockholm is a four-part television comedy about elderly people hiding the death of a friend so he can still win a Nobel Prize.

A strong candidate for feelgood favourite is Abe, a food film about a caught between the families of his Jewish father and his Palestinian mother.  In Sydney and Melbourne, the Festival is accompanying it with a Best Babaganoush competition.

Left Field

New Zealand director Taika Waiti is known for Thor:Ragnarok but he has gone somewhere quite different with Jojo Rabbit, an off-the-wall comedy set in WWII with a hidden Jew and Adolph Hitler as an imaginary friend. With Scarlett Johansson in the cast, it’s destined for a general release.  Also on the quirky side, Synonyms, is an eccentric indie film about an Israeli in France trying to escape his identity.

Stranger than fiction

For you-couldn’t-invent-it documentaries, consider the Israeli spy tale The Rabbi from Hezbollah or Toman, the story of a secret police chief and dubious businessman who was also the Czech Schindler. Or find about the life of a gay Israeli porn star in Jonathan Agassi Saved My Life.

American documentaries explore some fabulous Jewish characters: Ask Dr Ruth about the sex therapist; Bigger about the Jewish brothers who created the sport of bodybuilding and Where’s My Roy Cohn? about the elusive and disturbing McCarthyist.

Kosher kangaroos

The only Australian-made feature in the festival is Man on the Bus, a family history by Melbourne-based psychologist and filmmaker Eve Ash. But there are two new short films, Karen Pearlman’s I Want to Make a Film about Women, a documentary about Russian constructivist women artists, and The Mirror, a through-the-looking-glass Holocaust story by Joel Kohn. Australian businessman Frank Lowy is the subject of an American-made documentary, What will Become of Us?

Jojo Rabbit
Jojo Rabbit
Man on the Bus
Man on the Bus

Films about Film

For the buffs, the pickings are rich. Most original and best-looking is Curtiz, a feature about the making of Casablanca as a World War II propaganda film. Fiddler: Miracle of Miracles tells the story of what is surely a candidate for the most popular Jewish film of all time. A clutch of documentaries provide angles to every side of the movie business: a producer (Carl Laemmle), a director (Ziva Postec, The Editor Behind the Film Shoah), a critic (What She Said: the Art of Pauline Kael), actors (Love, Antosha; Shai K) and the inventor of a camera (Beyond the Bolex).

For music lovers

Films to hear as much as see include The Song of Names, a mystery about a man searching for his childhood best friend, a Polish violin prodigy orphaned in the Holocaust. God of the Piano is an Israeli film about a family torn over pushing a child into music. Paris Song is a feature based on Kazakhstan singer Amre Kashaubayev’s journey to compete in an international singing competition at the 1925 Paris Expo.

Musical documentaries include It must be schwing about Blue Note records; Mamboniks, celebrating the Jewish love affair with Latin music and Marianne and Leonard: Words and Music telling the love story between Leonard Cohen and his Norwegian muse Marianne Ihlen.

New Holocaust lenses

It wouldn’t be a Jewish film festival without some Holocaust films but the festival has spared us the confronting concentration camp dramatisations. My Polish Honeymoon is a French film about a family history trip.  The Mover is a feature based on the life of Latvian Righteous Among the Nations Žanis Lipke.  My Name is Sara an American film about a Polish Jewish girl disguised as a Christian in the Ukrainian Jew hiding her identity.  Of Animals and Men is the documentary behind The Zookeeper’s Wife and the aforementioned Avenging Evil is a documentary about Holocaust justice-seeking.

Tried and true

Sometimes you just want to know what you are getting. Looking for a genre film that ticks the boxes? If horror is your bag, there’s The Golem; as a thriller The Operative and for a romantic comedy, Untogether. Safe Spaces and Standing Up, Falling Down are also mainstream American comedies with familiar New York/ Los Angeles flavours respectively. Nostalgic Zionists and those with an interest in contemporary Israeli politics get their moments in three personality-based documentaries: Dayan; Golda; and King Bibi, the latter a still unfinished story.

Main image: scene from Tel Aviv On Fire

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About the author

Deborah Stone

Deborah Stone

Deborah Stone is Editor-in-Chief of TJI. She has more than 30 years experience as a journalist and editor, including as a reporter and feature writer on The Age and The Sunday Age, as Editor of the Australian Jewish News and as Editor of ArtsHub.

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