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FeatureArts & CultureAustralia

Happiest man resurrected on stage

Eddie Jaku’s Holocaust survivor memoir struck a chord with Australian readers. Now theatregoers will be able to see it come to life.
Peter Kohn
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Andre, Eddie and Michael Jaku at Eddie’s 101st bday party

Andre, Eddie and Michael Jaku at Eddie’s 101st birthday party (Image: provided)

Published: 13 April 2026

Last updated: 13 April 2026

Eddie Jaku’s inspirational survivor memoir came at the right moment to lift spirits at the height of the Covid pandemic, winning the 2021 Australian Book Industry’s Biography of the Year. 

The Australian stage adaptation of The Happiest Man on Earth seems equally well-timed, poised to elevate moods after the horror years of the Hamas invasion, the Sydney Opera House mob and the Bondi Beach massacre. 

This reflection comes from Michael Jaku, the elder of the late Eddie Jaku’s two sons.  

The Australian production of The Happiest Man on Earth, a one-man stage show from Monstrous Theatre and Shalom Collective, is set to premiere at the Playhouse, Sydney Opera House, on May 17-19, with prospects firming for Melbourne performances early in 2027. 

A retired automotive engineer and real estate agent, Jaku was an energetic centenarian with a youthful demeanour. “[He] didn’t know how old he was,” recalls younger son Andre Jaku. 

The book, published when Eddie Jaku was aged 100, sold 400,000 copies and appeared in some 40 languages. 

His philosophy was summed up in his declaration that, even after the Shoah, “happiness is a choice”.  

The book came about because the publisher saw a book in Jaku’s inspiring TED talk on the subject. Some years later, playwright Mark St Germain read the book and saw the potential for a play, which premiered in the US and is now coming to Australia. 

If he were alive now 

Eddie Jaku OAM was an icon of the Jewish community who was involved with the Sydney Jewish Museum and sat on the NSW Jewish Board of Deputies. 

Jaku died at 101 in 2021. He was spared the experiences of October 7, October 9 and December 14.  

When Israel was ambushed, when the Opera House was besieged and when Jews were murdered on Bondi Beach, Andre missed his father’s wisdom keenly. He rebuffs friends who suggest he should be “thankful” Eddie hasn’t lived to witness these events. On the contrary, says Andre, “I wish dad was here to see.” 

But how would German-born Eddie Jaku have reacted, particularly to the two events in 2023 and 2025 that shuddered through his city of Sydney, this place he emphatically called home after Kristallnacht, after hiding in Belgium, and being incarcerated at Buchenwald and Auschwitz?  

Michael, a grandfather of three, who arrived in Australia with his parents in 1950, says of his father, “He would have been outraged. Would he have been scared? I’m not sure. I am sure though that he wouldn’t have said, ‘It’s happening again’. I think he still would have realised it’s not the place we came to, but it’s still the best place to be.” 

Bringing the book to life 

The stage adaptation of The Happiest Man on Earth originated from an approach by St Germain to Michael and Andre. The playwright pitched a treatment that, in Michael’s words, “had artistic licence”, but was true to his father’s devastating experiences and the philosophies that steadied and elevated him as a survivor. 

The play has drawn rousing responses from audiences and reviewers in the US and UK, where veteran American Jewish actor Kenneth Tigar played Eddie. In Australia, the role will be played by Anton Berezin. 

For Michael, Berezin’s challenge will be to play the role to a hometown audience, where many people knew Eddie personally and many more know him by sight. Like Tigar, Berezin is Jewish, but as a younger actor, he will rely on makeup to play Eddie. “Overseas it didn’t matter what the actor looked like … If the actor needs to look like dad anywhere, it’s here.” But Michael’s not sure that physical resemblance is a must. 

Andre believes the affection Sydneysiders had for Eddie Jaku will make the Australian production very special. “When I’ll look at Anton on stage, I’ll see my father’s face.” 

Some might say staging the play at the Opera House, where an antisemitic mob gathered two days after the October 7 Hamas attack on Israel, is deeply symbolic. The choice of venue strikes Andre as “very ironic”. 

Theresa Borg, who is directing the Australian production, has had longstanding relations with the Australian Jewish community for some 30 years. She is married to Berezin, whom, she says, “asked me to walk alongside him [as actor and director] in a way that Eddie asks the audience to walk alongside him and be a friend. I felt the privilege of that. Anton wanted me to be in there as his friend and as a friend of the Jewish community.” 

Borg says St Germain captures Eddie’s voice, while avoiding being too literally faithful to the book. 

“When Eddie speaks about Kristallnacht in the book and in the play, he speaks about his sorrow in seeing how his neighbours behaved,” says Borg.  

“I feel like one thing we can do in telling this story is to ask the audience to think about our neighbours, their stories, the things we know about them, the things we don’t know. The themes of ‘never again’ and ‘we’re all family’ – this story asks us as neighbours, as the Australian community, to consider that.” 

The Happiest Man on Earth 
The Playhouse, Sydney Opera House  
Tuesday 12 to Sunday 17 May 2026  
$42.90 - $119.90  

Bookings 

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About the author

Peter Kohn

Peter Kohn

Peter Kohn is an Australian journalist who began his career at the Herald & Weekly Times. For 43 years, he was associated with The Australian Jewish News. For the past decade, he held the title of Senior Journalist at the newspaper. He is the author of two novels. Rachel’s Chance is the story of his family’s experiences as Jewish refugees in Shanghai during World War II, and View From A Sandcastle is based on his own story, growing up in Melbourne suburbia during the 1960s and 1970s.

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