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ReviewArts & Culture

Books: Austrian ghosts, a New Yorker’s joyride, intrigue in Istanbul

New books from Eva Menasse, Susan Orlean, Merav Fima, Chris Kraus, Barbara Nadel and AE Goldin
Aviva Lowy
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Dec25 books cover 800

Published: 2 February 2026

Last updated: 2 February 2026

Holocaust literary fiction

The Jewish Independent

Darkenbloom - Eva Menasse (Scribe) 

The New Yorker’s review of Darkenbloom by Austrian journalist and author Eva Menasse is titled, “It’s a Typical Small-Town Novel. Except for the Nazis”. That’s a terrific encapsulation.

Menasse’s fictional town of Darkenbloom is based on Rechnitz, a real Austrian village on the Hungarian border where, as the end of the war loomed and the Russian army advanced, 200 Jewish forced labourers were massacred. Best to remove the evidence of Nazi complicity.

This story begins in 1985 as the sleepy inward-looking town finally finds itself facing the scrutiny of the outside world. Students from the city have set up a work camp to clear the overgrown neglected Jewish cemetery; a stranger with some link to the past has come asking questions; a body is uncovered in a farmer’s field; and East German refugees are gathering at the border. Even within the community, a young schoolteacher is determined to uncover the truth of those dark times. 

Most of the town’s residents want to turn a blind eye to their past complicity. Some benefited from the forced removal of their Jewish neighbours, such as the young worker at the grand Tuffer hotel who was able to assume ownership, or a recent medical graduate taking over the practice of the established doctor, and the poor landowner incorporating an adjoining orchard into his property.

All of these are rendered satirically, free of reference to the human tragedy that has allowed the annexation.

The actual massacre is barely alluded to. Menasse is more interested in the ways the inhabitants justified or stifled the events. It’s a microcosm of Austria, which was slow to reconcile its role in the war.

Menasse’s tale is beautifully written, full of wry observations on human nature, such as “Darkenbloomers harboured a deep-seated mistrust of stories that ended well”.

A journalist’s memoir 

The Jewish Independent


Joyride - Susan Orlean (Atlantic Books)

“There is a tenet in Judaism that each person is an entire world,” writes journalist and author Susan Orlean in her memoir Joyride. She goes on to explain that she reads this as each of us contains an unimaginably rich world, unique and whole. “If I had to point to one principle that has guided me, inspired me, and taught me how to be in the world as a writer, this would be it.”

Those familiar with Orlean’s long-form journalism in The New Yorker, where she has been a staff writer for more than 30 years, will have seen this play out in her ability to take the ordinary or little noticed and uncover a hidden richness. The entry to her stories is often happenstance.

For example, she tells us how a day-old newspaper found in a plane seat pocket piqued her interest in a small mention of a Florida plant poacher. That item and two years on the trail led to an article later expanded into a book, The Orchid Thief. In turn, it inspired the ground-breaking film, Adaptation, with Meryl Streep playing Orlean.

Because, as Orlean says, “the story of my life is the story of my stories”, this memoir revisits some of her most engaging pieces, and how she came to write them. There’s her article on the Bhagwan Shree Rajneesh, who promised his followers enlightenment with capitalism; going on the road with The Jackson Southernaires, a group of black gospel singers; and her book on the famous TV dog, Rin Tin Tin. 

Her personal life is intertwined with her work. We learn that Orlean is the child of Hungarian and Polish Jews, the name changed from Orlinski. “My parents were defined by being Jewish. It wasn’t a matter of observance or specifics: being Jewish was simply integral to who they were.”

Blended fiction and history

The Jewish Independent


Late Blossoms - Merav Fima (Vine Leaves Press)

In her book, Late Blossoms, Israeli-born literary scholar Merav Fima takes inspiration from Virginia Woolf, who thought it interesting to imagine a meeting between the four great female English novelists of the nineteenth century: Austen, Eliot and the Bronte sisters Charlotte and Emily.

“I, too, thought it would be fascinating to imagine just such a conversation between the great female writers, poets and artists - all of them migrants - of Israel’s founding generation,” writes Fima.

Her list of creative luminaries consists of names less familiar outside Israel: Anna Ticho, Rachel Bluwstein-Sela, Zelda Scheurson-Mishkovsky, Else Lasker-Schuler, Leah Goldberg, and Nelly Sachs. Fima weaves individual stories about these women throughout her book, bringing them together through the device of a literary salon hosted at the Jerusalem home of painter Anna Ticho and her husband Dr Albert Ticho. Here the women meet regularly to discuss the challenges they face in pursuing their art. 

Just as their creative output was shaped by the unfamiliarity of their new environment, Fima argues the women in turn helped shape Israel’s cultural life.

Fortunately for the reader, Fima intersperses the text with her translations of some of the Hebrew poetry so that it may be read in English for the first time.   

True crime with literary twist

The Jewish Independent

The Four Spent the Day Together - Chris Kraus (Scribe)

Inspired by the true-life grisly murder by three teenagers of an older acquaintance in small town Minnesota, The Four Spent the Day Together is an unusual blend of fact, social commentary and autofiction. This is not a typical crime novel. Indeed, readers are only introduced to the teenagers and the murder in the last third of the book; it is an appendage which appears to come out of the blue.

The first part of the book covers the early life of our protagonist, Catt Greene, who is only five years old when her working-class parents leave their home in the Bronx, New York, in search of a better life for their family in Milford, Connecticut. Ten years later, having failed to realise their dream, they emigrate to New Zealand. Exactly as Kraus’s real-life parents did. 

We leave the family on the eve of their departure to NZ as the first section of Catt’s adolescent story closes. Abruptly, part two starts and we meet Catt, the middle-aged woman living back in the US. She is now a writer who has left her first husband, an older French philosophy professor for her second husband, a counsellor and alcoholic. Both these characters have made appearances in Kraus’s previous novels. Just as she recycles her life for her novels, she also recycles her fiction. It’s very meta. 

Apart from these literary foibles, she does have serious things to say about our times. Kraus writes on political correctness and the mindless hatred of cancel culture which ensnares Catt. She also learns about the pervasiveness of methamphetamines in US homicides, and the “trifecta of criminal prosecution, poverty, and mental health”. 

Kraus has been described as blending both high and low art. She claims that in her earlier novel, I Love Dick, she set out to see if she could say “c---” and Kierkegaard in the same sentence.

Crime fiction

The Jewish Independent


The East Ham Golem - Barbara Nadel (Allison & Busby)

Police investigating the scene of vandalism in an East London Jewish cemetery make a very unusual discovery. Instead of human remains, one of the disturbed coffins contains a sculpture of a man fashioned in clay, which becomes unofficially known as the East Ham golem.

So begins the latest book in Barbara Nadel’s Hakim and Arnold mystery series which revolves around investigations by ex-cop turned PI, Lee Arnold and his partner, psychologist Mumtaz Hakim.

The pair are engaged by 60-year-old hospital cleaner, Bernard Bennett, to find the body that should have been in the grave, that of his grandfather Rudolf Baruch, who came to England from Czechoslovakia in 1938 to escape Nazi control. But when did the switch of golem for grandfather take place?

It turns out that Hakim and Arnold are not the only ones searching to find the missing body. The trail takes them back to the events of wartime Prague and London, and a valuable jewel which eluded the Nazis’ clutches and may still be worth killing for.

Add to the mix a group of drug dealers currently plying their trade, and a guest appearance by the notorious Kray brothers, the brutal London gang bosses of the 1960s, and you have a ripper crime story with a Jewish twist.  

Nadel herself grew up in what she calls the “melting pot” of London’s East End and enjoys writing about the cultural and ethnic differences. She is best known for her award-winning Inspector Ikmen series, which has been made into the BBC crime drama The Turkish Detective and can be viewed at SBS On Demand.

. . . If your appetite is now whetted for Jewish crime fiction set in East London, you’re in luck. What’s more, this one begins in the UK and makes its way to Turkey, Nadel’s other favourite literary haunt. . . 

The Jewish Independent


Murder in Constantinople – A E Goldin (Pushkin Vertigo)

Ottoman Turkey, Russian spies, vanished sweethearts, East End Jewish gangsters, and one heck of a mystery. A E Goldin's Murder in Constantinople has no shortage of drawcards.

In 1850s London, Ben Canaan is the 21-year-old son of a poor tailor who would like him to be a good Jewish boy and join the family business. But Ben, a petty criminal, and his gang ‘the “Good-for-Nothings”, would rather be adventurers. In an attempt to escape the law, Ben finds himself a stowaway on a ship bound for Constantinople.

As well as securing his safety, the journey may help Ben track down a long-lost girlfriend whose disappearance has some Turkish connection. She's just one piece of a much larger mystery that he must solve, involving a number of inexplicable deaths, feuding royal houses, and high-stakes international intrigue.

In Constantinople, we get to inhabit the world of mid-19th century Sephardi high society, with Goldin giving us insight into the ever-shifting sands beneath the feet of prosperous Jews. Granted, some of the writing may be a little corny (when a group of men run upstairs from the synagogue below to defend Ben from a would-be assassin, he quips 'finally, a minyan when you need one'). But it would take a truly spiritless reader not to be swept away by the sheer adventure of this book. 

Murder in Constantinople is the first in a planned series of Ben Canaan thrillers. The second, Death on the River Pearl, which sees Ben’s exploits move from Turkey to China, is due out this year. Publicity around the books says that these historical mysteries will see their hero become a detective to rival Sherlock Holmes. That may sound like a tall order but the author might just have the zeal to achieve it. As well as being a professional writer, he is a classical concert pianist and a lawyer. 

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About the author

Aviva Lowy

Aviva Lowy

Aviva Lowy started her career as a radio journalist with 2JJJ and the ABC. She has written on a broad range of subjects, from food and travel to science and health.

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