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FeatureArts & Culture

Australian artists bear witness in October 7 exhibition

Over the past two years, misinformation and denial surrounding Hamas’ brutal attack on Israel have become commonplace. A new exhibition aims to provide an inclusive, non-political space for truth and remembrance.
Ruby Kraner-Tucci
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Goldstone 3

Nina Sanadze’s new monumental installation, Grief Stones, is constructed from thousands of stones and explores history, grief and antisemitism (Image: Belle Stewart).

Published: 7 October 2025

Last updated: 20 October 2025

When visual artist Nina Sanadze opened Goldstone Gallery back in February 2025, her eyes were firmly set on one date: October 7.

Over the past eight months, the gallery in Melbourne’s inner-north has pursued strong subjects – from Holocaust survivor Olga Horak to Russian anti-corruption activist Alexei Navalny – all with the aim of upholding its mission to amplify silenced voices. Today, Sanadze’s long-awaited October 7: Atrocity, Antisemitism and Resilience exhibition joins this list.

“It was always the goal to do an exhibition on October 7. That was the vision all the way,” Sanadze told The Jewish Independent. “It takes up every space in the gallery, spread over two levels, seven rooms, and all the spaces in between.”

Marking the two-year anniversary of Hamas’ brutal attack on Israel, and the subsequent Gaza war, October 7: Atrocity, Antisemitism and Resilience is the first and only exhibition in Australia dedicated to that tragic day.

It presents a broad spectrum of works – many for the first time and created specifically for this exhibition – including photography, virtual reality, installations, film, poetry and a dedicated library to honour victims, document the atrocities and confront the global rise of antisemitism.

Leading Australian and Israeli artists have contributed to the exhibition, including filmmaker Danny Ben-Moshe (LHS) and curator and sculptor Nina Sanadze (Image: Belle Stewart).
Leading Australian and Israeli artists have contributed to the exhibition, including filmmaker Danny Ben-Moshe (LHS) and curator and sculptor Nina Sanadze (Image: Belle Stewart).

Blending factual evidence and testimony with powerful artistic responses, the aim of October 7: Atrocity, Antisemitism and Resilience is twofold: to counter the widespread denial of and misinformation surrounding the Hamas terrorist attack; and to humanise Jewish voices that have been silenced or misinterpreted.

“Just like we have a Holocaust museum, this is an October 7 exhibition. It’s not a political exhibition. It’s factual, it’s forensic, it’s based on documents. Of course, it includes artistic responses and interpretations, but it’s all evidence-based,” Sanadze added. 

“The thread is that you learn of the stories of who was murdered and who was attacked on October 7. These people are not abstract. I want people to know that they were peaceful, beautiful human beings. I want the world to reckon with October 7 honestly and stop denying.”

Spotlight on local filmmaker

Leading Australian and Israeli artists have contributed to the exhibition, including photographers Emmanuel Santos, Noam Cohney and Ella Dreyfus; painter Daphna Wysokier Dishi; writer Tali Lavi; and sculptors Aliza Levi and Sanadze herself, among others.

Filmmaker Danny Ben-Moshe is the main featured artist, with several of his titles, including a new work created specifically for this exhibition, on display. In a room dedicated to the Adass Israel synagogue firebombing, Ben-Moshe's acclaimed Strictly Jewish: The Secret World of Adass Israel plays as audiences are invited to sit amongst burnt chairs salvaged from the wreckage. 

Sanadze and Ben-Moshe with burnt chairs salvaged from the Adass Israel synagogue (Image: Belle Stewart).
Sanadze and Ben-Moshe with burnt chairs salvaged from the Adass Israel synagogue (Image: Belle Stewart).

Elsewhere, Ben-Moshe’s series Survived to Tell: Stories from October 7 presents five short films of testimony from survivors of the Hamas attack. Through virtual reality headsets, audiences are transported to Israel and immersed in harrowing personal experiences.

“I made the films with survivors in VR so that people could get as virtually close as possible to meeting survivors and not just hearing their stories but seeing where and how they survived. We know the numbers, we know the facts, but knowing the personal stories of these individuals provides a whole new level of insight of the terror, experience and heroism of that day at an individual and human level,” Ben-Moshe said. 

“Only by openly acknowledging the true barbarity of that day can we understand the threat Israel faces, the nature of jihadism and burden of remembrance. Failure to acknowledge October 7 is failure to acknowledge the humanity of the Israelis killed and taken hostage, and if humanity is denied more October 7s are inevitable.” 

Bearing witness

Each room across the gallery is dedicated to a distinct aspect of the ongoing reverberations of October 7 – from a detailed recreation of the White House Gallery at Kibbutz Nir Oz, to an exploration of the sexual violence conducted by Hamas and women’s vigils in Australia, and a curated October 7 themed bookshop-slash-library. In the hallways between rooms, visitors can contribute their own reflections in the form of writings or drawings, creating a collective installation in the process.

A complementary public program will also see workshops, performances, panels and seminars focusing on October 7 and antisemitism in Australia. This includes a special launch event on October 7, which involves an all-day vigil, poetry, music and speeches beginning at 6.29am – the exact time the sirens blared at the Nova music festival. 

"Bring one non-Jewish friend to see the exhibition, and then more people can see and understand and hear real human stories"

Nina Sanadze

While “it’s impossible to choose”, Sanadze feels particularly drawn to two works. The first is a circus act by Talia Sofizade, who will perform and narrate a routine about October 7 live on an aerial hoop each week. The second is a commemorative installation about the Nova victims, put together by Sanadze through the help of Ayala Puder, the mother of 26-year-old Maya who was murdered by Hamas.

“What I wanted was to build a wall of faces and stories [from the Hamas attacks], so we know who these people are, but I wanted it to be coming with permission from parents. Over 70 parents responded with photos that were collected specifically for this exhibition,” Sanadze said.

Importantly, Sanadze wants this exhibition to appeal beyond the Jewish community.

“Bring one non-Jewish friend to see the exhibition, and then more people can see and understand and hear real human stories,” she concluded.  

October 7: Atrocity, Antisemitism and Resilience runs for free from 7 October to 17 December 2025 at Goldstone Gallery. Find out more information online.

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About the author

Ruby Kraner-Tucci

Ruby Kraner-Tucci

Assistant Editor

Ruby Kraner-Tucci is a journalist and TJI's assistant editor. Her writing has appeared in The Age, Australian Jewish News, Time Out and Broadsheet, among others. Ruby was awarded Multicultural NSW’s Best Report in Multicultural Media 2025 and has been named a Top 36 Under 36 Jewish Changemaker by B'nai B'rith.

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