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Royal CommissionReflectionAustralia

Writing my chapter in the Bible of our times

If nothing else, the Royal Commission allows us to tell our stories and create a shared coherence. So despite my pain and doubts, I will cherish these frantic weeks of writing my submission.
Lee Kofman
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Illustration: TJI

Published: 13 May 2026

Last updated: 15 May 2026

It took 15 dead bodies and, even after that, large amounts of public pressure for the Australian government to finally ask the Jewish community not: How are you? But: How are you really?

Or, maybe, this is just my wishful take on the nature of Royal Commission enquiry.

Whatever it is, I felt compelled to respond.

I knew it wouldn’t be easy to relive the last two and a half years where, after two decades of being a part of Australia’s literary world, I found myself ostracised from most of its institutions and many of its members. This happened not only on account of me becoming vocal about the outbreak of antisemitism since October 7, 2023, but also simply on account of my identity – of being Jewish-Israeli-Australian (and Russian too, although Putin’s crimes against humanity notwithstanding, this part of me never concerned my literary peers). I knew it wouldn’t be easy and still I wasn’t prepared for the emotional tsunami that writing my submission unleashed.

My usual way of coping is not dwelling on all that I’ve recently lost – a sense of belonging and safety in literary spaces, my reputation (following the infamous mass doxxing of Jewish people from a support WhatsApp group I founded), respect for various literary figures I used to esteem, paid work. However, as I embarked on the writing, these losses began to haunt my study, hanging in the shadowy spaces between bookshelves, and even my dreams.

Grief I expected. But then I also developed shame at my “litany of complaints”.

It’ll take too much space to recount all the abuse I’ve experienced online, so I’ll just provide several notable examples, like when a large anti-Zionist group made an Instagram post that contained defamatory information about me ...

Here I was, a child crying to Daddy-state and Mummy-commissioner, telling on the bullies … I suspect I felt this way because I internalised the ubiquitous gaslighting of Jews (the anti-Israel rallies are peaceful …we love Jews, just not Zionists …). Still, the shame lingered. Coupled with the shame about feeling such a shame. It was all so discombobulating …

Dogged by a sense of futility

Then, possibly the hardest emotion – the sense of futility. Too many times, when our community gained some hard-won protection, we soon lost it. Cancelled Jew-hating public personalities would become heroes to some and occasionally be reinstated, only with more honours. Protest restriction laws introduced following the Bondi massacre were later cancelled by the NSW Court of Appeal. And while federal anti-doxxing legislation created after the doxxing of our WhatsApp group remained, so far, to my knowledge, it hasn’t been applied to protect Jews.

After the new legislation came into force, I’ve continued to be harassed online. I gave multiple statements about it to Australian Federal Police, and yet to date there have been no consequences for people who continued to harass me.

Adding to this the unimpressive results of preceding Royal Commissions, I found it difficult to believe that anything would change. And if anything would, who is to say that yet again these changes wouldn’t be decontextualised, disputed, Jews be dragged in the mud – all that now-routine jazz … ?

This potent emotional cocktail notwithstanding, I fast became consumed by the writing.  Clearly, I was getting something out of it, but what?

LATELY, the world has become increasingly disorienting as moral clarity wagged its tail and slinked away.  

There has been a growing discourse, including in my literary circles, that the victims of the October 7 massacre were to blame for their murders …

Writing a Royal Commission submission, however, requires order. Dates and (preferably) names.

On the weekend of 3-4 February 2024, social media posts circulated calling on people to demand that Brimbank Libraries cancel my workshop scheduled that month. Several people contacted the libraries. The libraries relocated my workshop to a secret venue and employed security.

Sub-headings in the Commission’s submissions are encouraged.

My start of activism – Jews4Humanity 

Systemic failings in responses to doxxing

Poetic flights and feelings can work as long as there are also screenshots and hyperlinks and measurable outcomes.

While I still get a lot of private teaching and mentoring work, since October 7 my bookings from literary organisations are only about 25 per cent of what they used to be, and my income has been significantly impacted.  

Emotional clarity emerges

As I kept remembering, creating a timeline and fact-checking, some emotional clarity began to emerge too, just as it usually happens when I write creatively, and its flavour was not all loss and powerlessness.

This submission is my story of trying to advocate for the Jewish community with those in power, particularly in Australia’s progressive and cultural spaces, and failing repeatedly. It is also my story of a more successful, despite ongoing obstacles, work of repair and hope through grassroots activism of community building and creating a book, Ruptured: Jewish Women in Australia Reflect on Life Post-October 7.

I always thought of myself as a lone she-wolf, a perpetual outsider, which mostly still holds true. However, over time I noticed that my narrative arc was steadily marching from I towards we.

Many real-life friendships, professional collaborations and in-person events across Australia have come out of our WhatsApp group. For many of us – predominantly progressive Jews who lost a sense of belonging in our political, professional and social milieus – this group has been a lifeline.

Temperamentally a lone she-wolf, but in these last years I’ve had many companions. Sometimes they joined my projects. Other times, like with Ruptured, a brainchild of my co-editor Tamar Paluch, I joined theirs.

Despite the obstacles and gatekeeping in the literary world and the media, by the standards of the Australian book market, Ruptured is a success. We are now on our third print run … We’ve been also on track with achieving our main goal – to reach beyond our community. The overall sentiment from non-Jewish readers is gratitude for the opportunity to understand what it feels like to be Jewish in Australia today.

It took me 11,000 words to realise to what extent the Australian Jewish community has now become the fabric of my life.  

My personal story is ultimately interwoven with the larger story of my community, especially with systemic discrimination against Jewish artists, and the persistent, and severe, online abuse of many Jewish people.

Obsessed by the task

As my life’s chaos took shape on the page, I grew so obsessed that I became socially annoying. I’m busy writing my submission, I’d tell anyone who would care or not to hear. And have you written yours?

In my defence, it wasn’t just me. I noticed communal fever across my various Jewish WhatsApp groups and real-life conversations – the urging and the urgency to write, the emotional struggles as well as elation. Apparently, even my inner state was a communal story.

T: I have too much on my laptop and it’s overwhelming …

O: So triggering. Screw with writing about me, but my children – that’s such a red line for all of us mothers.

K: I found writing mine painful, not therapeutic. But putting it all down was helpful and made me think – this really is a societal failure.

A: I woke up realising I had writer’s block due to the trauma of it all. There’s just so much pent-up anger from the last two and a half years. It’s all pouring out this morning.

We shared feelings but also – experiences, facts, writing strategies, drafts. Writing, everyone says, is a solitary business, but is it always? The literary masterpiece of the Old Testament is said to be authored by many, edited and compiled over the time.

Lately, I’ve come to think about the growing number of our community’s submissions as a whole, a book, perhaps the Bible of our times.

The biblical metaphor provides some comfort. If my submission is a chapter in a larger story, then I can envisage myself not as a whingeing child but as a scribe. One scribe out of many others across today’s Australia as well as across generations. My fingers clicking on the keyboard an echo of my laptop-less ancestors who recorded their stories under ongoing duress and at their own peril, for the same reasons we do today – to resist being defined by larger, more powerful forces; to exercise agency over their lives through their own words.

The bible was composed against external pressures, but it also gave Jewish tribes coherence as a people. Authorial multiplicity and Jewish fondness for argument notwithstanding, the different biblical voices share some fundamentals – a belief in one divinity, for a start.

At our current, biblically-flavoured time of turbulence and reckoning, when, sadly, tensions inside our community are also rife, it is my hope that even if nothing else comes out of the Royal Commission enquiry, it will be this coming together to tell our stories and possibly, hopefully, creating some shared coherence. For this reason, too, despite the pain and the doubt, I’ll cherish these frantic weeks of writing.

It is still early days to predict the exact shared story that will emerge once everything is done and sealed, but having read or discussed many submissions, one refrain I pick up on is this – if any other minority was hunted and haunted the way we currently are, their concerns would have been taken far more seriously and their voices would not have been silenced or discredited.

A minority within other minorities

Jews are a minority even within other minorities. We are not seen as a group of people deserving of sympathy or support when we are targeted, at least – ironically – not within the milieus normally preoccupied with social justice. To paraphrase David Baddiel, in Australia’s multicultural fairytale only Jews don’t count.

The emerging story may sound tragic, but Jewish people were through many tragedies and we are still here. We are still here in large part, I think, because words are our most natural habitat and words save us. As Amos Oz and Fania Oz-Salzberger write in Jews and Words: “Jewish continuity has always hinged on uttered and written words ... Our is not a bloodline but a textline.”  

So yes, I do not have much faith in the Royal Commission results, but I have a lot of evidence-based faith in us as the writers of our own survival. We are writing, which means we are still here. We are still here, and so we are writing.

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About the author

Lee Kofman

Lee Kofman

Lee Kofman is an author and editor of nine books in Hebrew and English, including The Writer Laid Bare and Imperfect, which was shortlisted for Nib Literary Award. She is also a writing teacher and mentor.

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