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Israel Hamas WarReflectionArts & Culture

At last, a writers festival invites Ruptured authors to speak

Do people need to die before pro-Zionist Jewish writers are invited to Australian writers festivals?
Elana Benjamin
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Published: 8 April 2026

Last updated: 9 April 2026

Ruptured, a book written by Australian Jewish women in response to October 7, is now in its third print run. The collection of 36 essays, published last August and edited by Lee Kofman and Tamar Paluch, is the only book which explores the experience of Australia’s Jewish community since the Hamas terror attacks. As co-editor Kofman tells me, there aren’t that many Jewish writers in Australia, and Ruptured contains a big chunk of them, some of whom are renowned voices.

Yet the anthology has been overlooked by almost all major writers festivals in Australia. Before the Bondi Beach shooting, Manly Writers’ Festival – which took place a few weekends ago – was the only one to have included Ruptured in its program. Previously, another festival complained that its budget was too small to cover travel expenses, so Kofman offered to pay for her own. The festival declined her offer.

Since Bondi, Kofman, a writing teacher and the author of nine books, has been invited to speak at the at the Sorrento Writers’ Festival later this month, and at the Sydney Writers’ Festival in May. But none of those sessions are specifically about Ruptured.

The Sorrento session is titled 100 Days After Bondi: Where to from here?, and the Sydney session is similarly called After Bondi. (The Jewish Independent’s Commissioning Editor Michael Visontay is also on the After Bondi panel; he and Kofman will appear on another Sydney Writers’ Festival panel called Writers reflect on antisemitism now.)

One has to wonder – do people need to die before pro-Zionist Jewish writers are invited to Australian writers festivals? As Kofman posted on Instagram last month, “while all writers’ festivals in Australia claim to be inclusive and open to a variety of views, it’s becoming clearer and clearer that this is not the reality, especially when it comes to representing Jewish voices – and not in tokenistic ways.”

Excitement vs vulnerability

Manly Writers’ Festival, then, has been a striking exception. The Ruptured Lives, Resilient Voices panel at Manly comprised Kofman, Joanne Fedler, Kylie Moore-Gilbert and me. While we were delighted to be asked to speak about our contributions to the book, each of us was anxious about our collective appearance. We’d all committed to the panel before Bondi. Now, more than ever, we wanted our voices to be heard. But as Jewish writers, would we feel safe?

In the weeks leading up to our session, the four of us exchanged a flurry of emails. We met on Zoom to talk through our concerns. What security was in place? Were any topics off limits? Would we answer questions from a potentially hostile audience or would we ask the organisers to discard Q&A? How would the moderator – a non-Jewish author, Suellen Dainty – handle disruptions?

From left: Elana Benjamin, Lee Kofman, Suellen Dainty, Kylie Moore-Gilbert, Joanne Fedler (supplied)
From left: Elana Benjamin, Lee Kofman, Suellen Dainty, Kylie Moore-Gilbert, Joanne Fedler (supplied)

A few days before our panel, with the war in Iran escalating, Joanne Fedler emailed: "If people walk into the session wearing attire that is intended to be provocative, I don’t know how you all feel but I won’t participate in the panel. I refuse to be a target for other people’s performative politics."

We were enormously relieved to be met with a supportive audience at Manly; grateful there were no keffiyeh-wearers or people in T-shirts emblazoned with READERS AND WRITERS AGAINST THE GENOCIDE. (There were both when I spoke at last year’s OzAsia Festival in Adelaide, which made me feel incredibly uneasy.)

Capacity attendance

The room was almost at capacity, with around 90 attendees, including renowned author Thomas Keneally and Ruptured contributors Kerri Sackville and Nicky Stein.

The panel opened with a discussion about our responses to October 7. Moore-Gilbert shared how Hamas’ atrocities plunged her back to her 804-day imprisonment in Iran, and the realisation that she was not, as she’d previously convinced herself, completely healed. Kofman reflected on the impact of the doxing of the Jewish Creatives WhatsApp group she’d founded.

Fedler, who’s spent her life fighting against violence, especially against women and children, talked about her changed attitude to pacifism, which she now considers to be a privilege. I explained how cooking sustained me in the weeks and months after October 7, but how I didn’t cook after Bondi.

We shared our thoughts as to whether antisemitism would ever disappear (sadly, the consensus was no), and how we were talking to our children about our post-October 7 world. The session did include questions from the audience, and concluded with First Nations poet Yvette Henry Holt’s impromptu reading of her endorsement of Ruptured. Afterwards, books were sold and signed.

The session, then, was a great success. But I’ve been left with a lingering sense of how vulnerable we are as Jewish writers – even when we are included in writers’ festivals.

Before Bondi, I was thrilled to part of Manly’s Ruptured panel, alongside three women I respect and admire. Afterwards, I was ambivalent – would people try to shoot us?

Still, I was shocked when Kofman shared with the Manly audience that after October 7, especially after the doxing but even before Bondi, every time she speaks in public at a venue which isn’t Jewish – where’s there’s no security – she thinks to herself, “what if I get shot? And if I get shot, have I lived my life well until now? Do I have any regrets? It's not something I dwell on, but I do have those thoughts.”

Similarly, the morning after Manly, Fedler posted on social media: I don’t think I’ve ever experienced as much anxiety to the lead-up of a public performance as I did for this panel at the Manly Writers’ Festival to speak about my essay in Ruptured. Later, Fedler told me she’d spent an enormous amount of emotional energy planning what she’d do in a range of different scenarios.

Nevertheless, we all showed up – the resilient Moore-Gilbert even travelling solo from Melbourne with her five-month-old baby. Because we understood that this is what it means to be a Jewish writer now. That we have to grab the chance to share our stories whenever possible, despite our concerns.

As Moore-Gilbert put it afterwards, “it was such a joy to have the opportunity to platform Ruptured to such an engaged and supportive audience. The subject matter was dark and difficult at times, but this is precisely why such conversations are so urgent and needed.”

Festivals now feel different

Kudos, then, to Manly Writers’ Festival director and founder, Bonita Mersiades, for platforming Ruptured, being in regular contact with CSG, and making us feel welcome. Kofman, who’s been to a few writers’ festivals since October 7, admits that as someone who used to appear at these festivals all the time, it’s not the same for her anymore. But Manly, she says, “felt the safest of them all. So I really thank Bonita for her moral courage and integrity”.

As for whether Ruptured will be part of any future festival lineup, especially the inaugural Bondi Writers’ Festival in November, we’ll have to wait and see. In the meantime, Kofman’s panel session at the Sorrento Writers’ Festival is already sold out. Here’s hoping the Sydney Writers’ Festival sessions she’s speaking at will be just as well attended by people who are willing to hear Jewish voices and perspectives.

As for me, if I’m asked to speak about my contribution to Ruptured again, I’ll say yes. But I confess that as much as I once dreamed of being invited to writers’ festivals, and as positive as my experience in Manly was, I’ll be relieved to be in the audience next month at the Sydney Writers’ Festival, instead of participating as a panellist.

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About the author

Elana Benjamin

Elana Benjamin

Elana Benjamin is a Sydney-based writer whose articles have been published widely, including in Good Weekend, Sunday Life and the Sydney Morning Herald. Elana is also the author of ‘Indian-Jewish Food: Recipes and Stories from the Backstreets of Bondi’, which is out now.

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