Aa
  • Read, Watch, Listen
  • TJI Series
  • Community Action
  • Events
  • Zedi
Follow us and continue the conversation
  • LinkedIn
  • Instagram
  • FaceBook
  • X
  • YouTube
Test yourself with the TJI Quiz!

Adjust size of text

Aa

Follow us and continue the conversation

  • LinkedIn
  • Instagram
  • FaceBook
  • X
  • YouTube

Your saved articles

You haven't saved any articles

What are you looking for?

Original reporting, insightful analysis and diverse views, delivered straight to your inbox

  • LinkedIn
  • Instagram
  • FaceBook
  • X
  • YouTube
Your support fuels our mission to inform, entertain and inspire.

The Jewish Independent is bound by the Standards of Practice of the Australian Press Council. If you believe the Standards may have been breached, you may approach The Jewish Independent or make a complaint to the Australian Press Council in writing at www.presscouncil.org.au. The Council may also be contacted on 1800 025 712.

  • Our Story
  • Contact us
  • Our Team
  • Support us
  • Guidelines
  • Pitch your idea
  • Republishing us
  • Community Action
  • Our Awards
  • LinkedIn
  • Instagram
  • FaceBook
  • X
  • YouTube
Aboriginal FlagTorres Strait Islanders Flag

The Jewish Independent acknowledges Aboriginal and Torres Strait Islander peoples as the Traditional Owners and Custodians of Country throughout Australia. We pay our respects to Elders past and present, and strive to honour their rich history of storytelling in our work and mission.

© The Jewish Independent 2026All Rights Reserved
Website design and development by Your Creative, MelbourneTerms & ConditionsPrivacy Policy
HomeRead, Watch, ListenAustralia
Australia

Remarkable lives on screen: spies, activists, poets, producers and more

Deborah Stone
Print this

Published: 18 October 2018

Last updated: 4 March 2024

THE JEWISH FASCINATION with the lives of other Jews is a feature of the 2018 Jewish International Film Festival (JIFF). A quarter of the films are either biopics or biographical documentaries. The only subject with an equal number of films is, unsurprisingly, the Holocaust.

This year’s festival contains 64 films: a fairly even spread of features and documentaries, enhanced by two historical films, two performance pieces and one animation. In Melbourne and Sydney there are a number of associated events including panels, live performances and even a baking competition, prior to the screening of The King of Börek.

As with all festivals, the toughest part is knowing what to choose. We’ve analysed the program to help you decide.

If you like to be challenged
Two Holocaust-context films strong on moral dilemmas are I Do Not Care if We Go Down in History as Barbarians, the story of an activist artist who stages a massacre of Jews, and Murer – Anatomy of a Trial. The Last Supper, about Jewish Germans choosing to leave or stay, is more of a psychological dilemma, set pre-Holocaust.

The dilemmas of Israeli society are addressed in many films, among them The Cousin, a feature about the suspicion of Arabs, and The Reports on Sarah and Saleem, about a Jewish-Arab relationship.  Documentaries exposing Israel’s dark side are plentiful: The Mossad: Imperfect Spies; The Jewish Underground; The Ancestral Sin, about systemic discrimination against Sephardim; and Conventional Sins, addressing widespread sexual abuse in Haredi communities.

For cultural provocation, consider Narcissister Organ Player, a performance piece/documentary exploring gender, sexuality and racial identity.

If you want a laugh
Pickings are slimmer. Seder-Masochism, a creative animation, looks like a lot of fun and so does Thank G-d, Deborah Leiser-Moore’s short theatrical work about Talmudic requirements for sex. Among the features, there are some that promise black comedy and heart-warming moments based on Haredim encountering the secular world: The Unorthodox, a film based on the rise of Shas; Redemption, about a Haredi man who returns to his former life as a rock musician to raise money for his sick daughter and Red Cow, a messianic fantasy/lesbian love story.

If you are looking for inspiration
You can’t go past An Act of Defiance, a dramatisation of the trial of the ten anti-apartheid protesters led by Nelson Mandela, several of them Jewish. This year’s crop of Holocaust films are strong on inspiration stories of resistance, all based on true stories: Sobibor, Who Will Write Our History, 87 Children and A Rose in Winter. On a smaller scale, 93 Queen is a documentary about a woman changing the lives of women in Borough Park in New York.

[gallery columns="1" size="large" ids="23499"]

If you follow Israeli politics
As well as all those confronting, mostly political Israeli documentaries, , there is Madam Prime Minister, a documentary about Golda Meir, and The Oslo Diaries. The Unorthodox has an important political perspective as well as it’s humour, and Shelter, a feature about a Palestinian woman in protective custody and her Israeli guard, promises to traverse the political to the personal.

If you miss Israeli culture
The Israeli offerings are by no means all about politics. Let’s Dance celebrates Israeli dancing, One Last Bedtime Story explores children’s literature and The Museum takes us inside the Israel Museum. The King of Börek is a story of both business culture and food. Kishon, a documentary on Israel’s celebrated cartoonist and writer, is biographical but Kishon was renowned for his window on Israeli society. If horror is your thing, there is the Israeli slasher, Children of the Fall.

If you are attracted to Jewish Americana
The Jewish contribution to entertainment prompts several documentaries: Dreaming of a Jewish Christmas; Sam Spiegel: Conquering Hollywood; Studio 54; Love, Gilda; and Blue Note Records.

A more disturbing documentary is The Twinning Reaction, another film (like the recent Three Identical Strangers) about the Jewish adoption agency that secretly separated multiple births for a psychological experiment. Can you ever forgive me? is a tragi-comic biopic about the wayward career of celebrity biographer Lee Israel, and Summer 03 is a growing up story about family secrets.

[gallery columns="1" size="large" ids="23704"]

If you are a people person
Poet Avraham Sutskever (Black Honey), writer Isaac Babel (Finding Babel), producer Michal Waszyńsk (The Prince and the Dybbk) and Musician Itzhak Perlman (Itzhak) are among the cultural figures who are the subject of documentaries at the festival.

Holocaust-themed bio-documentaries include the story of Fredy Hirsch (Dear Fredy), a gymnast and youth leader who provided care to children during the Holocaust; righteous gentile Luiz Martins de Souza Dantas (Dear Ambassador) and, on the other side of the fence, Austrian politician and former German army officer Kurt Waldheim (The Waldheim Waltz).

Escape real life with relationship dramas such as Simon and Theodore; Outdoors, Promise at Dawn; and an interwoven quartet of stories, Saving Neta.

If you like old movies
Choose between the chillingly prophetic The City without Jews, made in Austria in 1924, and The Ancient Law, a scenario reminiscent of The Jazz Singer, made in Germany in 1923.

READ MORE
Film on Nazi turned Austrian President Kurt Waldheim draws parallels to modern rise of the right (JTA)

Photo: Still from Dear Fredy
You might also like
  • On despair: A reflection after watching ‘Cancelled’
    Deborah Stone
  • What to see at the 2026 Jewish International Film Festival
    Kathy Laster
  • Sanctioning settlements is a defence of Israel, not an attack
    Elisheva Madar
logomark.67a07ee3
We believe in the free flow of information

Republish our articles for free, online or in print, by using our Creative Commons licence

You might also like

    Generation change Template
    Generation ChangeInterviewAustralia

    Ash Densham: Building community through Humanistic Judaism

    Gideon Cohen
    tame kostakidis west
    AnalysisAustralia

    How not to apologise

    Zac Klugman
    Penny Wong
    DebateAustralia

    Sanctions must influence, not just perform disapproval

    Adam Slonim 1

About the author

Deborah Stone

Deborah Stone

Deborah Stone is Editor-in-Chief of TJI. She has more than 30 years experience as a journalist and editor, including as a reporter and feature writer on The Age and The Sunday Age, as Editor of the Australian Jewish News and as Editor of ArtsHub.

More from the author

ReflectionArts & Culture

On despair: A reflection after watching ‘Cancelled’

NewsAustralia

Proposed digital care law to offer protection against online antisemitism

NewsIsrael

‘Israel is systemically eliminating Palestinian collective life’:  Israeli human rights report

Australia

Tame apologises – but with little grace