Aa
  • Read, Watch, Listen
  • TJI Series
  • Community Action
  • Events
  • Zedi
Follow us and continue the conversation
  • LinkedIn
  • Instagram
  • FaceBook
  • X
  • YouTube
Test yourself with the TJI Quiz!

Adjust size of text

Aa

Follow us and continue the conversation

  • LinkedIn
  • Instagram
  • FaceBook
  • X
  • YouTube

Your saved articles

You haven't saved any articles

What are you looking for?

Original reporting, insightful analysis and diverse views, delivered straight to your inbox

  • LinkedIn
  • Instagram
  • FaceBook
  • X
  • YouTube
Your support fuels our mission to inform, entertain and inspire.

The Jewish Independent is bound by the Standards of Practice of the Australian Press Council. If you believe the Standards may have been breached, you may approach The Jewish Independent or make a complaint to the Australian Press Council in writing at www.presscouncil.org.au. The Council may also be contacted on 1800 025 712.

  • Our Story
  • Contact us
  • Our Team
  • Support us
  • Guidelines
  • Pitch your idea
  • Republishing us
  • Community Action
  • Our Awards
  • LinkedIn
  • Instagram
  • FaceBook
  • X
  • YouTube
Aboriginal FlagTorres Strait Islanders Flag

The Jewish Independent acknowledges Aboriginal and Torres Strait Islander peoples as the Traditional Owners and Custodians of Country throughout Australia. We pay our respects to Elders past and present, and strive to honour their rich history of storytelling in our work and mission.

© The Jewish Independent 2026All Rights Reserved
Website design and development by Your Creative, MelbourneTerms & ConditionsPrivacy Policy
HomeRead, Watch, ListenAustralia
Australia

Why Sophia Loren is one of many who love South Africa’s Pieter-Dirk Uys

Anne Susskind
Print this

Published: 6 May 2022

Last updated: 4 March 2024

The famous satirist and activist, who has recently discovered his Jewish ancestry, is the subject of a doco that celebrates his legacy. ANNE SUSSKIND previews this year's program

WHETHER YOU CALL him a Jewish-Afrikaner or an Afrikaner-Jew, Pieter-Dirk Uys says he belongs to “both the chosen people," quips one of South Africa’s most celebrated performers.

Uys is the subject of Nobody’s Died Laughing, a documentary which this week opens the fourth South African Film Festival, with 21 films available online in Australia and New Zealand.

All proceeds go to Education without Borders, a charity for disadvantaged children in the Western Cape. It is, says South African émigré and co-director Claire Jankelson, a festival “with conscience”.

Uys is a legend in South Africa. His best-known character, Afrikaner socialite Evita Bezuidenhout, is much like Dame Edna Everage, only more politicised.

“One does not run away. One runs towards,” is one of Uys’s lines. He was, as the documentary shows, an important social activist under apartheid and has continued to be so since its demise, using his performer’s licence to satirise both the old regime and the disappointing ANC government in today’s South Africa.

He is also known for good works, such as travelling solo the length and breadth of his country to 150 disadvantaged and rural schools during the height of the AIDS crisis, employing his humour with youngsters in teaching them how to use condoms to protect themselves.

Uys' praises are sung by Sophia Loren, actress Charlize Theron and Nelson Mandela, among others.

In the documentary, his praises are sung by Sophia Loren (she was his childhood dream and later formed a real bond with him), actress Charlize Theron and Nelson Mandela, among others.

Uys grew up as an Afrikaner, and it was only after his mother’s suicide he learned she’d been Jewish and had fled from the Nazis in Berlin. He treasures a letter, “a carbon copy of the one Ma wrote”, posted in 1948 to Franz Michels (her former fiancé) in Germany.

No longer Helga Bassel but MevrouHannes Uys, she writes from the tip of Africa, in disbelief at finding herself in another oppressive society:

‘I am sitting here in De Waal Park. It is a beautiful, sunny day in Cape Town. Table Mountain is looming over me like a huge wall. My little blond boy Pieter is three years old and playing in the grass with the dachshund, Fritz. I am sitting on a bench which has a sign on it that says: Whites-only/Slegs Blankes. How did I get here from a place that said, No Jews/Juden-Raus?”

Helga Bassel, who he adored, was bipolar and today would have been aided by medication, Uys says.

According to Australian government statistics, there were 193,860 South African-born people living in Australia in 2021, so between them and their families, there is a growing audience for this festival, Jankelson says. The array of films helps emigres to make sense of their backgrounds, as well as giving a bird’s-eye view into the complexities of post-apartheid South Africa.

The Jewish Independent

There are eight other documentaries on offer, including Pluck, which takes a warts-and-all look at the infamous Nando’s ads that have held up a mirror to South African society, and Dying for Gold, which humanises the history of gold mining in South Africa’s economy, and another about refugees who inhabit unused mineshafts.

The Art of Fallism delves into the student protests of 2016, focusing on the Rhodes Must Fall movement at the University of Cape Town, and Township Yogi explores the place of yoga and personal growth in the townships of KwaZulu-Natal.

Dance Me to The End of Time is a portrayal of American theatre director Nancy Diuguid's life and battle with cancer, made by her South African partner, filmmaker Melanie Chait, while The Untamed Voice takes a no-holds-barred look at Afrikaans music.

Atlantis is a tale of drugs, love, betrayal and murder in the Western Cape, while Gaia is an award-winning ecological horror story. Sons of the Sea is a thriller about abalone poaching. There’s a romcom, Mrs Right Guy, and Hotel Lerallaneng, a moody drama set during lockdown.

The Jewish Independent
The Jewish Independent

It’s the full South African panoply, that will tug at the heartstrings. When South Africans emigrate, some try to leave thoughts of their former country behind. But for Jankelson, growing up in apartheid South Africa shaped her.

She says the ethical challenges they face at a young age give many South Africans a wish to strive for tikkun olam, a desire to heal the world. The festival and its volunteers are part of this effort.

For Uys, there are not many holy cows, Australia and emigres included: "Many South Africans emigrated to Australia - and the IQ of both our countries went up!"

The festival runs from May 7-24.

CLICK HERE FOR TICKETS AND DETAILS

Photo: still from Nobody's Died laughing, with Sophia Loren (centre) and Pieter Dirk-Uys (right)

You might also like
  • On despair: A reflection after watching ‘Cancelled’
    Deborah Stone
  • What to see at the 2026 Jewish International Film Festival
    Kathy Laster
  • Sanctioning settlements is a defence of Israel, not an attack
    Elisheva Madar
logomark.67a07ee3
We believe in the free flow of information

Republish our articles for free, online or in print, by using our Creative Commons licence

You might also like

    Generation change Template
    Generation ChangeInterviewAustralia

    Ash Densham: Building community through Humanistic Judaism

    Gideon Cohen
    bialik Jewish schools shabbat
    OpinionAustralia

    Jewish schools are the marinade that infuses continuity

    Jeremy Stowe-Lindner
    chai necklace copy
    ReflectionAustralia

    Facing my mortality, the Book of Life is no metaphor

    Talia Slonim 5

About the author

Anne Susskind

Anne Susskind

Anne Susskind is a former Sydney Morning Herald journalist who emigrated from South Africa in the 1980s

More from the author

FeatureAustralia

Nicole and Sharon’s ‘win-win’ project: a fashion store that helps women in need

Australia

Vaucluse candidates’ top priorities – community, planning, justice

FeatureAustralia

Independent senses an ‘appetite for change’ in Vaucluse

FeatureArts & Culture

Simon Tedeschi: from piano prodigy to writer