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FeatureArts & CultureAustralia

Torah scribe writes herself into Australian herstory

There are only 25 women Torah scribes in the world, compared to thousands of men. One of them is about to become the first woman to write a Torah for Australia.
Peter Kohn
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Torah scribe Rabbi Hanna Klebansky will begin work on an Australian Torah scroll on Sunday (supplied)

Published: 17 February 2026

Last updated: 17 February 2026

An Israeli soferet (female scribe) is about to begin work on the Torah scroll for an Australian synagogue written by a woman.

“It feels like a dream,”  Rabbi Hanna Klebansky tells The Jewish Independent in a phone call from Israel, as she prepares to fly to Melbourne where Temple Beth Israel (TBI)’s new scroll, which she will write, will be formally launched this weekend.

Russian-born Rabbi Klebansky is a rare commodity, an ordained Masorti (Conservative) rabbi who is also trained in the technically demanding art of writing a Torah scroll. Orthodox Judaism does not regard female Torah scribes as acceptable under halachah and there are only some 25 soferot (female scribes) around the world, compared to thousands of soferim (male scribes).

A haredi mentor taught her the craft on the understanding his name would not be revealed

In the more than 15 years she has been inscribing, Rabbi Klebansky has written six Torah scrolls for congregations around the globe, the latest for a synagogue in Germany.

There is pressure on soferot to fly under the radar. An early mentor, a haredi, who said he personally would not use a Torah scroll written by a woman but respects others’ values, taught her the craft on the understanding his name would not be revealed.

And when she was engaged to check a recently completedTorah from Frankfurt, she did not disclose that the scroll was written by her as it would have caused complications. (Scribes participate in an elaborate process of checking the sofer’s work three times before a Torah is pronounced kosher.)

There is a custom that if a letter is inscribed while the scribe’s mind has wandered, it must be erased and re-inscribed

Inscribing some 348,000 letters in a sefer Torah is a concerted labour of love. Klebansky says it takes around a year to complete a scroll, and she works on it daily, except Shabbat, usually in the early mornings, before the demands of her work as a hospital chaplain encroach.

“It’s a very intense process. According to halachah, every letter must be written with deep intent,” she explains.

This mindfulness is so concentrated that there is a custom that if a letter is inscribed while the scribe’s mind has wandered, it must be erased and re-inscribed.

This is daunting, she concedes. “Sometimes it’s hard to catch our thoughts. But I focus by trying to think of the holiness of each individual letter.”

One of her favourite books is The Hebrew Letters – Channels of Creative Consciousness by acclaimed chasid and kabbalist Rabbi Yitschak Ginsburgh.

“He made me aware of the connections of each of the letters to the spaces around them – and ultimately to God’s energy,” she explains.

In the quiet of her craft, she finds  what she calls “self-therapy”.

“Everybody is looking for permanence – for something that will outlive them. People build houses, bring children into the world,” she reflects.

But for Klebansky, a mother of five, writing Torah scrolls is a unique way of leaving her mark in the world.

The process itself requires highly specialised equipment –  quills she makes herself, organically sourced deep black ink, and cow-leather parchment.

Klebansky notes that in Devarim 31:19, there is a command that every Jew should write a sefer Torah. She says that by sponsoring a letter, a verse or a parsha, as TBI congregants have been invited to do, they can become part of that process. “It’s said that making it possible for a single letter of the Torah to be written is equal in holiness to writing an entire scroll.”

During a visit to Israel last year, TBI Senior Rabbi Allison Conyer considered various soferim for the project, including one about whom she was later told he would never write a sefer Torah for a non-Orthodox congregation.

Then a lightglobe idea materialised – why not give the commission to a female scribe?

Through the recommendation of Lesley Sachs, chair of the Israel Movement for Progressive Judaism and a former executive director of Women of the Wall, Rabbi Conyer secured Rabbi Klebansky’s services. “The first time in Australia that a female scribe is writing a sefer Torah is an exciting, historical project,” says the TBI rabbi.

TBI has 13 sifrei Torah (scrolls) between 80 and 500 years old, some rescued from the Shoah. But many now have flaked lettering, holes in the parchment and fading ink, which renders them not kosher, limiting their usage, Rabbi Conyer explains.

Although sections can be repaired to restore their kashrut, it is a costly process – and a decision, championed by TBI’s Cantor Michel Laloum for many years, to acquire the shul’s first new, purpose-inscribed sefer Torah, was greenlighted.

“Commissioning a new Torah matters to me in a way that is both deeply personal and profoundly communal,” Laloum tells The Jewish Independent. “For more than 13 years, this has been a passion project—something I have carried quietly but persistently, because I believe that a living Torah at the heart of our congregation is essential to who we are and who we aspire to be.”

The inscription of the first letter by the soferet will be celebrated this Sunday, February 22, as part of a weekend of festive events relating to the new scroll, with Klebansky and Sachs flying in from Israel.

The writing will be completed in early 2027 with a dedication ceremony celebrating the inscription of the final letter.

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About the author

Peter Kohn

Peter Kohn

Peter Kohn is an Australian journalist who began his career at the Herald & Weekly Times. For 43 years, he was associated with The Australian Jewish News. For the past decade, he held the title of Senior Journalist at the newspaper. He is the author of two novels. Rachel’s Chance is the story of his family’s experiences as Jewish refugees in Shanghai during World War II, and View From A Sandcastle is based on his own story, growing up in Melbourne suburbia during the 1960s and 1970s.

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