Aa
  • Read, Watch, Listen
  • TJI Series
  • Community Action
  • Events
  • Zedi
Follow us and continue the conversation
  • LinkedIn
  • Instagram
  • FaceBook
  • X
  • YouTube
Test yourself with the TJI Quiz!

Adjust size of text

Aa

Follow us and continue the conversation

  • LinkedIn
  • Instagram
  • FaceBook
  • X
  • YouTube

Your saved articles

You haven't saved any articles

What are you looking for?

Original reporting, insightful analysis and diverse views, delivered straight to your inbox

  • LinkedIn
  • Instagram
  • FaceBook
  • X
  • YouTube
Your support fuels our mission to inform, entertain and inspire.

The Jewish Independent is bound by the Standards of Practice of the Australian Press Council. If you believe the Standards may have been breached, you may approach The Jewish Independent or make a complaint to the Australian Press Council in writing at www.presscouncil.org.au. The Council may also be contacted on 1800 025 712.

  • Our Story
  • Contact us
  • Our Team
  • Support us
  • Guidelines
  • Pitch your idea
  • Republishing us
  • Community Action
  • Our Awards
  • LinkedIn
  • Instagram
  • FaceBook
  • X
  • YouTube
Aboriginal FlagTorres Strait Islanders Flag

The Jewish Independent acknowledges Aboriginal and Torres Strait Islander peoples as the Traditional Owners and Custodians of Country throughout Australia. We pay our respects to Elders past and present, and strive to honour their rich history of storytelling in our work and mission.

© The Jewish Independent 2026All Rights Reserved
Website design and development by Your Creative, MelbourneTerms & ConditionsPrivacy Policy
HomeRead, Watch, ListenAustralia
Australia

New novel tackles sexual abuse in a Melbourne Jewish school

Miriam Cosic
Print this

Published: 10 June 2022

Last updated: 5 March 2024

MIRIAM COSIC talks to Mount Scopus graduate ASHLEY GOLDBERG about the (mostly) fictional Jewish school graduates at the centre of his first novel Abomination

Abomination, Ashley Goldberg’s first novel, is a startling and impressive debut.

It tells the story of Ezra and Yonatan, best friends at Yahel Academy, an ultra-Orthodox Jewish school in Melbourne, which is rocked by sexual abuse.

The abuse, beyond their immediate circles, affects them quietly and peripherally, but sends their lives on different paths. Confident Yonatan becomes a good husband and an Orthodox teacher in his old school, socially awkward Ezra leaves the school early to become an atheist and a public servant.

The two renew their friendship years later - the one, an extroverted rabbi and husband, the other a bureaucrat and drifting lover. 

Alternating chapters between the two boys/men, the novel is a quietly dramatic development between the phases of their friendship, their romantic partners, and their eventual coming to terms with the half-hidden events in their school: the flight of the offending teacher and the slow chipping away by parents behind the official screening of his transgressions.

The Jewish Independent

It is about families, shyness, power plays, the dreadful molestation of children and, indeed, the full repertoire of interpersonal struggles.

Through deft handling on Goldberg's part, is it also a thought-provoker and a page-turner.

Goldberg has been a writer of short stories to date and even those tentatively. He has clocked up publications in New Australian Fiction 2021, Meanjin and Chiron Review, among others.

But he didn’t start writing properly until he moved from Melbourne to Canberra to do a post-graduate degree and he was 35 when he wrote this first novel. He is a slow writer, who wrote a series of short stories for his creative writing thesis rather than a novel.

When it finally came, the novel made an immediate impression on his publisher. When he presented his manuscript to Penguin, they were ready to take it on the spot. He asked for 18 more months because of the pandemic. It sounds as though he wasn't ready to give it a go. 

Not that Goldberg hasn’t been busy. He has a graduate literature diploma in Canberra and a literary master's degree from Bath University, UK, as well as commerce and law degrees. He works for the Department of the Environment.

The long list of degrees sounds highfalutin but that wasn't the way he grew up. His parents weren't rich, and they didn't raise to him and his older brother to the arts and literature.

"I basically grew up in South Caulfield," he says. "My parents didn't have a lot of money and moved around from house to house when we were young. My dad was starting a small business and it just took a long time to get off the ground."

He loved reading when he was a child but didn't get much to go on. His mother liked entertaining material. His father read to the boys and Goldberg was always chasing the rest of the book after being read solitary chapters.

"I would get impatient because he was a slow reader, and I would take them off the shelf and finish them on my own. That grew into a love for reading.

“But it did take me quite a while to discover literary fiction and to find the real connection that I found with books. To really make the connection with what a book could do for you besides entertain. The first book that did it for me was Richard Yates' Revolutionary Road. It blew me away."

The usual question arises as to how much of a first novel is modelled on a writer's own life. Goldberg went to Mount Scopus from kindergarten to year 12. The Jewish school, the law and commerce education ("making my Dad happy", he says) and the beginning of his adult life: it's all in there.

"There are a lot of commonalities in terms of (Ezra's) secular life and of identity and depression and friendship and family. And obviously romantic love," he admits.

But the novel is not just about character. "It's also that he's questioning morality and his relationship with Judaism because he has the moral groundwork that is broader and more arguable," Goldberg says.

The deeply Jewish context is also a big part of who Goldberg is. His grandfather was a Holocaust survivor from Poland, his mother came from Argentina. He was teased as a Jewish boy in Melbourne - "looking as I do" - and had to learn to find his way in Australian society.

"I felt constant pressure to stay within the community. I'm sure this is the case with all kinds of communities. But there's this additional rhetoric of 'it could happen again'. And if it did, your Jewish community, this is where you're safe.

“We were giving countless stories at school about members of the German economic elites who thought they were safe, and yet they ended up going to the concentration camps. It really was the PTSD the older generations brought home."

Photo: Ashley Goldberg (Dan Soderstrom/Penguin)

Ashley Goldberg will appear at the Sydney Jewish Writers Festival on Sunday 19 June at 12.30pm

You might also like
  • Court decision fails to understand when ‘Fuk Israel’ becomes antisemitic
    Jeremie Bracka
  • The Altalena should be a warning, not a political weapon
    Shahar Burla
  • Turkey emerges as military threat to Israel
    Dror Doron
logomark.67a07ee3
We believe in the free flow of information

Republish our articles for free, online or in print, by using our Creative Commons licence

You might also like

    Royal Commission final
    Royal CommissionNewsAustralia

    Strategies for cohesion final focus of Royal Commission hearings

    Peter Kohn 1
    funding handouts
    NewsAustralia

    Who will get the money from the Cranbourne windfall?

    Gideon Cohen
    Beinart Doogue 600
    Israel Hamas WarNewsAustralia

    Beinart takes a wrecking ball to Israel

    Michael Visontay 1

About the author

Miriam Cosic

Miriam Cosic

Miriam Cosic is a Sydney-based journalist and a former arts and a former literary editor. She is the author of two books.

More from the author

InterviewArts & Culture

A Jewish writer’s Indigenous ‘everyboy’

FeatureArts & Culture

The house that Lehman built: a saga of family, greed and capitalism unhinged

World

Jewish museums: from treasure box to forum for dialogue

Arts & Culture

Too much Holocaust fiction – and too loose with the facts