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HomeRead, Watch, ListenArts & Culture
InterviewArts & Culture

Glow in the Dark reimagines the Jewish brand 

The newly launched “cultural studio” plans to create film, TV, video games, and digital media that will reshape how the world sees Jews.
Gideon Cohen
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Glow in the Dark

(Supplied by Michael Weisler)

Published: 11 November 2025

Last updated: 11 November 2025

From The Jazz Singer to The Marvelous Mrs Maisel, the world’s image of Jews has been shaped by screen products for the past 100 years.  

Now, as the Jewish world faces a major image problem, some Jewish Hollywood producers think it’s time to leverage that capacity more consciously.  
 
“I think it’s time to get on the offensive,” says filmmaker and producer Michael Weisler. 

“It’s clear that some people, who don't have the highest opinion of us, have been working on portraying a negative image of us, and have been very effective at it.”   

Weisler is the founder of Glow in the Dark, a new initiative that seeks to change negative images of Jews by bringing Jewish stories to mainstream media, both onscreen and online. 

Glow in the Dark has already signed its first project: a long-term partnership with Roblox game developers to create an original video game. While the details remain under wraps, there are also plans to adapt its sci-fi story to film and theatre. 

Melbourne-born, LA-based Weisler is the founder and creative director of Vienna Gold Productions, which has produced commercials for brands like Peter Jackson, and is a previous recipient of the Jewish International Film Festival (JIFF) Short Film Fund. He co-founded and managed the La Mirada Film Festival, whose celebrity curators included Pedro Almodóvar, Martin Scorcese and Penélope Cruz. 

After October 7, Weisler banded together with friends and colleagues in Hollywood, both for moral support and to work on communication strategies to combat antisemitism. They realised there was a need to unify the global Jewish community and reclaim its narrative in the media. 

[Jews] are such good members of society and contribute so much and have such great Australian values, but [are] not represented in our culture, barely at all.

Glow in the Dark founder Michael Weisler

He points to the way popular culture has helped other minorities gain acceptance and change their image. For example, when the sitcom Will & Grace brought openly gay characters to primetime TV. At the time of its premiere in 1998, support for same sex marriage in the US was only 27 per cent. By the time that series concluded in 2020, support for same sex marriage had skyrocketed to 70 per cent. Weisler believes Jews and Israel have not invested enough in image-building. 

“The Qatari Government has a huge, nearly $600 billion fund [the Qatar Investment Authority], dedicated to influencing culture,” says Weisler. “I think our messaging is really poor. Israel’s messaging, to be polite, leaves a lot to be desired. And I think even our own messaging leaves a lot to be desired, and it’s because we're so fragmented.  

“So, Glow in the Dark was imagined as a conduit to bring all the brilliant people we’ve got all around the world into a cultural studio.” 

Among those involved is film producer Lee Broda, CEO of LB Entertainment, who has produced over 50 films – including May December (2023) starring Natalie Portman and Julianne Moore; and film producer and director Kate Cohen, co-CEO of MK Entertainment, whose credits include Transendence (2014) led by Johnny Depp, and Jane Got a Gun (2015), also starring Portman. Cohen is currently developing a very Jewish story, a feature adaptation of Viktor Frankl’s bestselling memoir Man’s Search for Meaning. 

From the theatre industry, there’s Tony-award winning producer Brian Lee, co-founder of AF Creative Media, who has co-produced Broadway hits including Company (Tony Award, Best Revival) and Moulin Rouge! (Tony Award, Best Musical). Also onboard is producer Dayna Lee, whose UK production of Fiddler on the Roof this year earned a record-tying 13 Olivier nominations, winning for Best Musical Revival. 

Still in its early stages, Glow in the Dark has two key areas of focus. Through its non-profit arm, it aims to raise funding for new projects across film, television, theatre, gaming, and social media, while its studio will partner with creatives to make cultural products.  

Weisler is launching the initiative in Australia, partly because of his personal connections with the community but also because he thinks Australia can benefit.  

“[Jews] are such good members of society and contribute so much and have such great Australian values, but [are] not represented in our culture, barely at all. So, I feel like it's up to us to change. 

“I'm confident that when they see us, they’ll say, ‘ah, okay, they’re like us, they’re great Australians and an important part of the fabric of society’.” 

While he recognises it takes more than just a couple shows to move the needle, Weisler says there’s power in creating stories that help humanise minority groups for the wider public. “This is really trying to talk to the silent majority in middle America, middle Australia, middle Europe, middle everywhere who, I don't think, have a super close eye on everything that's going on in the Middle East.” 

“They don't really know Jewish people and they only have a stereotypical view of Jewish people. So, with Glow in the Dark, it’s really nice to take hold of that narrative and show people who we are.” 

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About the author

Gideon Cohen

Gideon Cohen

Gideon Cohen is a Melbourne-based journalist and a content creator and editorial assistant at TJI. He holds a master's degree in journalism from the University of Melbourne and his work has appeared in various publications including Broadsheet and The Jewish Chronicle.

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