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ReflectionAustralia

Never tear us apart: a New Year reflection

Coming on the heels of the Bondi massacre, New Year's Eve 2026 had an unprecedented significance for Australia.
Ittay Flescher
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New Year menorah Sydney Bondi

The Chanukiah projected onto the Sydney Harbour Bridge on New Year’s Eve (Shahar Burla)

Published: 5 January 2026

Last updated: 5 January 2026

For generations, Rosh Hashanah, the Jewish New Year, has called my people to Teshuva, Tfilla, and Tzedakah, Repentance, Prayer and Charity.  I vividly remember many long days in my youth growing up in Melbourne on long September days where private prayer at Shira would suddenly surge into the communal harmony filled with joy and tears between Shacharit and Yizkor. In those rooms, mentors of mine like Mark Baker and Debbie Maisel (z”l) mastered the alchemy of the sermon: they knew exactly how to comfort the troubled and trouble the comfortable.

It is a world away from the secular New Year of December 31, which usually arrives as a riot of noise, a sensory blitz of heavy drinking, thumping bass, and the pyrotechnic thunder over our capital cities.

But at the end of 2025, in the wake of the Chanukah Massacre at our most beloved beach, the rhythm broke. By the Sydney Harbour Bridge, home to perhaps the most iconic fireworks display on the planet, the atmosphere changed. At 11:00 PM, in the middle of the crowds and the music, the foreshore fell into a profound, collective silence. As I watched the live stream on the ABC from my home in Jerusalem, I observed that it wasn't the kind of silence that feels empty; it was the kind that feels heavy with shared grief. Thousands of phones were raised toward the sky, not to capture a spectacle, but to serve as small beacons of light for the victims we lost at Bondi.

I rarely get emotional when watching New Years coverage in the middle of the day, but this moment really stayed with me.

When the silence finally broke, it wasn't with a bang, but with the haunting, spacious notes of Never Tear Us Apart performed by Matt Corby.

In 2025, this ballad topped the Hottest 100 of Australian Songs with over 2.6 million votes. Technically, it’s a steady 97 beats per minute in C Major, written in a waltz-like 6/8 time signature. But its true power lies in the dramatic silences written into its DNA.

In that moment, the Jewish experience and the Australian identity didn't just meet; they merged. Seeing a Chanukah Menorah glowing on the Harbour Bridge alongside the words Unity and Peace served as a visceral reminder that the Jewish story is not a separate thread, but a fundamental part of the Australian weave.

We sing that two worlds "could never tear us apart," yet the rift between Jewish Australians and the government has never felt more cavernous. A Menorah on the Bridge and a song in the air are beautiful symbols, but symbols cannot heal a fractured nation.

If we truly believe that we can "never be torn apart," then we must do more than hold up our phone lights. We must protect the light of the Menorah as fiercely as we protect the icons of our Harbour.

In this moment, there huge debate where the best way to prevent the horror was saw at Bondi ever happening again is to focus on a particular response that addresses antisemitism, or a universal response that challenges all manifestations of hate and prejudice.

While I favour the latter, I’m still genuinely not sure which approach will work best, or whether the next hate crime is just around the corner, which is why it was so hard to celebrate this New Year’s Eve.

Yet perhaps like we observe on Rosh Hashana when the book of fate is open before us, all we can do is hope that the repentance of all of us is sufficient to inscribe us into the book of life for another year.

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About the author

Ittay Flescher

Ittay Flescher

Ittay Flescher is the Jerusalem Correspondent for The Jewish Independent. For over twenty years, he has worked as an educator, journalist, and peacebuilder in Melbourne and Jerusalem. His book, The Holy and the Broken: A Cry for Israeli-Palestinian Peace from a Land that Must Be Shared, was longlisted for the 2025 Walkley Book Awards.

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